Script

 BEDROOM – MORNING

ESTABLISHING SHOT

A bird’s eye view of the main character asleep in bed. A MID SHOT captures his body curled under the covers.

CLOSE-UP

Phone buzzes on the side table. A notification lights up.

OVER-THE-SHOULDER (OTS) SHOT

Main character opens his eyes and checks his phone.

MAIN CHARACTER (groaning):

"Valentine’s DAY?!"

MID SHOT – PANNING

He scrambles out of bed, frantically changing clothes, tossing shirts over his shoulder.

LOW ANGLE

He bolts down the stairs and hurriedly puts on his shoes.

STREET– CONTINUOUS

LONG SHOT

The door swings open. He rushes out.

POV SHOT

He scans the area, eyes darting around, searching.

WIDE SHOT

He spots his bike and jumps on.

 STREETS – BIKE MONTAGE

VARIOUS WIDE SHOTS

He pedals hard through streets. A montage begins.

LOW ANGLE / HIGH ANGLE SHOTS

Used interchangeably to add pace and dynamic energy.

CAMERA MOVEMENTS:

Pan. Tilt. Dolly tracking shots. Occasional crane movements add cinematic flow.

WORM’S EYE VIEW

He skids to a stop near a park and picks up a bouquet of flowers.

Park– MOMENTS LATER

CLOSE-UP / ZOOM IN

His hand sneaks a bunch of red roses off the flower boy when no one’s looking.

WIDE SHOT

He dashes off, gripping the bouquet tightly.

PARK – EVENING

CLOSE-UP

Phone buzzes again. The girl's chat is now shown on screen with a new message.

OTS / MID SHOT

As he smiles and turns SLAP! A hand lands across his face. He freezes in shock.

BEDROOM – BACK TO START

MID SHOT

He jolts awake in bed. It was all a dream.

Back in his messy clothes. Breathing heavy.